한국대중음악학회, 한국학중앙연구원 비교문화연구소, 국제대중음악학회 한국 지부 공동 주최 워크숍
Co-organized by Korean Association for the Study of Popular Music, Institute of Cross-Cultural Studies, Academy of Korean Studies, IASPM Korea Branch
한국 대중음악 연구의 국제화와 연구 확장 방향 모색
Internationalizing Korean Popular Music Research and Exploring Directions for Its Further Development
Date 10:00 a.m.–5:00 p.m., 7 August 2026 (KST)
1:00 a.m.–8:00 a.m., 7 August 2026 (GMT)
Venue 한국학중앙연구원 문형관 대회의실 (B107)
Large Seminar Room (B107), Munhyeonggwan,
The Academy of Korean Studies, Seongnam, South Korea
Format Hybrid
Languages Sessions 1: English
Session 2-3 & General Discussion: English and Korean
(시간표)
Opening Remarks
Keewoong Lee (Sungkonghoe University)
Session 1 10:10-11:20
Chair: Pil Ho Kim (Ohio State University)
Donna Kwon (University of Kentucky), Navigating Global Sonic Imaginaries in K-pop: Auto-Tune, the Vocoder, and Singing the Posthuman in the Music of ATEEZ
Peter Moody (Stony Brook University), Reformed Folk, Reinvigorated: North Korean National Music in the Twenty-First Century
Sunhong Kim (University of Michigan), Popularizing Transhistorical Arirang: From Early Korean Sojourners’ ‘Arirang’ in 1896 to BTS’s ‘Arirang’
Session 2 11:30-12:40
Chair: Hyun Seok Kwon (Hanyang University)
Ethan Waddell (University of Colorado), The Dialectic of Control and Memory: On Writing the Musical Past in Post-Liberation Korea
Susan Hwang (University of California, Santa Barbara), From Romance to Resistance: Kim Min-ki and the Making of Student Protest Culture
Janghee Son (Ritsumeikan University) 연락선은 떠난다(연락선의 노래)’가 노정시킨 전후 일본의 기억의 균열 "The Ferry Is Leaving(The Ferry Song)” and Fractures of Memory in Postwar Japan
Session 3 14:00-15:30
Chair: Ildong Joe (Academy of Korean Studies)
CedarBough Saeji (Pusan National University), New Sounds in an Old Place: Remaking the Meaning of Korean Palaces through K-pop
Junghwan Shin (Sungkyunkwan University), 1960년대 이후 한국 대중음악 잡지와 대중음악론의 향방: 담론적 재구성과 이론의 갱신을 위하여 The Trajectory of Popular Music Magazines and Theoretical Discourse in Korea since the 1960s
Jonghyun Park (Kookmin University) 소리, 공간, 연행, 혹은 사람으로서 “7080”: 장르 기호의 사(史)적 접근 “7080” as Sound, Place, Performance or Personhood: Tracing an Ethnohistory of Genre Sign
Ildong Joe (Academy of Korean Studies), 1980년대 트로트, 전자악기, 카세트테이프, 그리고 경부고속도로: 기술-문화-산업의 얽힘 Entangling Technology, Culture, and Industry: Trot, Electronic Instruments, Cassette Tapes, and the Gyeongbu Expressway in 1980s South Korea
General Discussion 15:40-17:00
한국대중음악학회, 한국학중앙연구원 비교문화연구소, 국제대중음악학회 한국 지부 공동 주최 워크숍
Co-organized by Korean Association for the Study of Popular Music, Institute of Cross-Cultural Studies, Academy of Korean Studies, IASPM Korea Branch
한국 대중음악 연구의 국제화와 연구 확장 방향 모색
Internationalizing Korean Popular Music Research and Exploring Directions for Its Further Development
Date 10:00 a.m.–5:00 p.m., 7 August 2026 (KST)
1:00 a.m.–8:00 a.m., 7 August 2026 (GMT)
Venue 한국학중앙연구원 문형관 대회의실 (B107)
Large Seminar Room (B107), Munhyeonggwan,
The Academy of Korean Studies, Seongnam, South Korea
Format Hybrid
Languages Sessions 1: English
Session 2-3 & General Discussion: English and Korean
(시간표)
Opening Remarks
Keewoong Lee (Sungkonghoe University)
Session 1 10:10-11:20
Chair: Pil Ho Kim (Ohio State University)
Donna Kwon (University of Kentucky), Navigating Global Sonic Imaginaries in K-pop: Auto-Tune, the Vocoder, and Singing the Posthuman in the Music of ATEEZ
Peter Moody (Stony Brook University), Reformed Folk, Reinvigorated: North Korean National Music in the Twenty-First Century
Sunhong Kim (University of Michigan), Popularizing Transhistorical Arirang: From Early Korean Sojourners’ ‘Arirang’ in 1896 to BTS’s ‘Arirang’
Session 2 11:30-12:40
Chair: Hyun Seok Kwon (Hanyang University)
Ethan Waddell (University of Colorado), The Dialectic of Control and Memory: On Writing the Musical Past in Post-Liberation Korea
Susan Hwang (University of California, Santa Barbara), From Romance to Resistance: Kim Min-ki and the Making of Student Protest Culture
Janghee Son (Ritsumeikan University) 연락선은 떠난다(연락선의 노래)’가 노정시킨 전후 일본의 기억의 균열 "The Ferry Is Leaving(The Ferry Song)” and Fractures of Memory in Postwar Japan
Session 3 14:00-15:30
Chair: Ildong Joe (Academy of Korean Studies)
CedarBough Saeji (Pusan National University), New Sounds in an Old Place: Remaking the Meaning of Korean Palaces through K-pop
Junghwan Shin (Sungkyunkwan University), 1960년대 이후 한국 대중음악 잡지와 대중음악론의 향방: 담론적 재구성과 이론의 갱신을 위하여 The Trajectory of Popular Music Magazines and Theoretical Discourse in Korea since the 1960s
Jonghyun Park (Kookmin University) 소리, 공간, 연행, 혹은 사람으로서 “7080”: 장르 기호의 사(史)적 접근 “7080” as Sound, Place, Performance or Personhood: Tracing an Ethnohistory of Genre Sign
Ildong Joe (Academy of Korean Studies), 1980년대 트로트, 전자악기, 카세트테이프, 그리고 경부고속도로: 기술-문화-산업의 얽힘 Entangling Technology, Culture, and Industry: Trot, Electronic Instruments, Cassette Tapes, and the Gyeongbu Expressway in 1980s South Korea
General Discussion 15:40-17:00